His ADR directing credits to date include Aquarion, Jyu-oh-Sei, Romeo X Juliet, Big Windup, Rin: Daughters of Mnemosyne, and Shikabane Hime (Corpse Princess), while his writing credits include substantial work on Ouran High School Host Club, Heroic Age, Initial D, Blassreiter, Ga Rei: Zero, Hero Tales, Legend of the Legendary Heroes, Fractale, Deadman Wonderland, Steins Gate, Assassination Classroom, Dragon Ball Z Kai and Attack on Titan. Foster from Killing Floor 2, Kelvin and Pendles from Battleborn, and fifteen playable characters from SMITE.Īnd as if being involved with so many awesome shows wasn’t enough, in late 2007 the fluky so-and-so tempted fate by officially branching out into ADR directing and adaptive scriptwriting. His videogame credits include Sir Hammerlock from the Borderlands franchise, Julius Kresnik from Tales of Xillia 2, Mr. His vocal “stylings,” much to the chagrin of drama teachers everywhere, he’s sure, have also been featured in Romeo X Juliet, Speed Grapher, Trinity Blood, Kenichi: The Mightiest Disciple, Black Cat, Nabari no Ou, Ghost Hunt, School Rumble, The Tower of Druaga, Aquarion, Tsubasa: Reservoir Chronicles, Shuffle, Shigurui, Glass Fleet, Mushishi, Soul Eater, along with feature-length films such as Vexille, Summer Wars, Dragon Age: Dawn of the Seeker, and Empire of Corpses, among many others.
#Voice actors of my story animated full#
Frog, the titular loveable savage of Heroic Age, Ryosuke Takahashi in Initial D, Lawrence Kraft in Spice and Wolf, Zarbon in Dragon Ball Z Kai, and Scar in Full Metal Alchemist: Brotherhood. Other characters the man still can’t believe he’s had the crazy good fortune to play include Doumeki in XXXHolic, Jiro Mochizuki in Black Blood Brothers, Isaac Dian in Baccano!, both God Eneru and Dalton in One Piece, Komui Lee in D-Gray Man, Dororo in Sgt. That’s not to say they didn’t go through hardships, but their struggles had little to do with being “the gay one” and had everything to do with “you’re a soldier of love and justice and the world is ending.” Well, honestly? That wasn’t all that surprising, either, but what did stick with me was the fact that Sailor Moon, and other anime, had portrayals of queer characters who weren’t just side characters, who weren’t constantly bullied for being gay, who were seen as assets to the team, and whose story didn’t end in tragedy. If you have a complex story that could be told using animation, contact us today. But animation is a versatile and effective medium that offers complete creative control and the ability to engage with audiences, no matter who they may be. Missing out on the violence or Goku going to hell and not the Home For Infinite Losers wasn’t all that surprising, but the stuff that got removed out of Sailor Moon and how queer it was? A reluctance to explore emerging techniques when communicating sensitive issues is understandable. While there, one of the employees took my hand (figuratively) and opened my eyes to everything that was being edited out of the stories I’d watch weekday afternoons.
When I was a teenager in the nineties, I frequented the local Suncoast quite often, using my paychecks to build my anime VHS collection until the entire Dragon Ball Z cast had their faces lined up on the side of the box.
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